Tuesday, February 12, 2008
Whose History are museums really telling? With plaque’s of text including about 80 words give or take twenty, how can they be telling the full story? In situations where there are 100s or 1000s of words it is still difficult to tell the full story, and even then there is still the issue of great biases. So, can a plaque in front of a display at a museum truly be telling the full story? Or are museums doomed to be misleading the uninformed populace even further?
Ian McKay discusses the issues of Tartanism in his article, “ Tartanism Triumphant: The Construction of Scottishness in Nova Scotia, 1933-1954” and part of the issue is the fact that the Premier of Nova Scotia, Angus MacDonald attempted to create a Nova Scotian Folk Culture through their “inherent Scottishness,” To this day the provinces most important emblems are their flag, their coat of arms, and their tartan. This folk museum, which opened its doors in 2001, is attempting to create a “folk culture” for Quebec. By displaying various pieces of household items, textiles, and folk art the museum is attempting to determine what Quebec folk culture is, but in reality these items are likely no more native to Quebec as Tartanism is to Nova Scotia.
2007 was Ottawa’s 150th anniversary of being chosen as Canada’s capital. To honour this occasion a panel was posted on Sparks Street in Ottawa to commemorate Lord Durham and his recommendation to grant responsible government to the British North American colonies. However, French Language lobby group Imperatif Français were angry that the panel forgot to mention that Lord Durham was in favour of assimilating French Canadians. The new panel mentions this as well as his recommendations for responsible government and the unity of Upper and Lower Canada. The controversy around Lord Durham as a figure has also led panel now portraying a historic painting of Canada instead of a painting of Lord Durham himself.
Canadian Museum of Civilization
To have a Canadian Museum of civilization is a tricky thing. Naming it as such leads the museum to be vulnerable from criticisms of innacurate representation of Canadian civilization. Despite New France being exhibet and French Canadians having some representation, Quebec does not get a proportionate share of recognition for its' part in Canadian civilization. The reason for this is that the museum has evolved from a place where cultures can be preserved to a tourist attraction where the IMAX and exhibits on foreign civilizations are bigger attractions.
Other Quebec Centric Museums of Interest:
Centre d'histoire de Montreal.: reveals the many faces of its history and heritage.
Cinematheque Quebecoise: Montreal's museum of the moving image.
Montreal Holocaust Memorial Museum: first world class Holocaust museum in the country.
Naval Museum of Quebec: where they tell Naval History in a new light, different from everywhere else.
Tuesday, December 4, 2007
Quebec Literature
Quebecois has a rich literary tradition begining before its inception and lasting to this day. Much of the writing in novels has to do with English-French relations as it evolves from the conquest to the separatist movements of the late 20th century. Fictional works have been an outlet for nationalism or become such for national movements looking for symbols on which to pin their platforms. Here's several examples of what were talking about and one that is a bit different.
Phillippe Aubert de GaspĂ©’s Les Anciens Canadiens was published in 1863 and is heavily influenced by traditional Quebec folk songs and stories. Two young men, one of whom, Jules d’Haberville, is a Canadian, and the other, Archibald Cameron of Lochiel, a Scotsman, become friends during college life. Separated by the necessity of earning their livelihood, they again come together, but under different flags, during the war in which France and England fought for the last time for the soil of Canada on the Plains of Abraham and the fields of Ste Foy. Their old friendship is broken, then resumed with reserve. The author turns to account all the incidents that he gathers about this main theme in relating the life led by his countrymen at the already distant period of the Conquest. There is a sense of nostalgia of for the simplicity of traditional life which allows for the longevity of interest in the story. Many Quebecers really like this story because they enjoy the idealistic view of traditional Quebec society.
Mordichai Richler is a mid-20th century Quebec writer who is famous for his satire of contemporary society and his portrayal of the Jewish community in Montreal. He is famous for his books The Apprenticeship of Duddy Kravitz and Barney’s Version among other works. Both books are funny with their critiques as well as the general absurdity of everyday life sometimes. He was later critical of Quebec nationalism and separatism in the 70s.
Ringuet’s Thirty Acres is not only written by a Quebecois, but also discusses the intricacies of living in rural Quebec. Thirty Acres was written in 1937 and is the story of Euchariste Moisan’s life and family not only describes the life of a man, but what it was like for all the men just like him living off of the land in rural Quebec. Ringuet discusses the rural mans thoughts on the big cities like Montreal, the rest of Canada, and North America. And, it really gives insight into the rural culture of Quebec and how it helped to shape the culture of the province. It is especially important because there are many men just like Euchariste still living similar lives in rural Quebec. Also, it demonstrates the concerns that agriculturalists that are of French descent had because often, they were far different that those of the English, this is exemplified in the discussion of war in the novel.
Hugh MacLennan’s Two Solitudes (1945) also touches on some of the same issues that Thirty Acres does and expands on them. The book focuses on the separation between English and French Canada and demonstrates that it is hard to be a part of both factions. Like in Thirty Acres conscription is a divisive issue among the two groups, these are examples of issues that are impossible for the two groups to agree on. This is something that speaks to a larger issue of Quebec and Canada being a culture of negatives. Instead of Quebec and Canada being unified they are instead divided by negative issues, Quebec is not really a part of Canada because the rest of the country is not French speaking, or not inclusive, or Quebec does not believe in the First World War. Much like Canada prides itself as being a certain way simply because it is not like Americans.
Quebec also has a rich tradition of newspapers in its history. The Gazette is an English-language paper published daily out of Montreal but with circulation outside of the province as well. Le Devoir is famous as it was founded as a French-language newspaper by Henri Bourassa in 1910. Having resigned from the Liberal party in opposition to Sir Wilrid Laurier’s decision to construct a Canadian navy, Bourassa created the paper. Le Devoir went on to be a leading critic of the government during the war (especially with conscription) and a proponent of Quebec nationalism. La Presse is another French-language paper out of Montreal and circulated in Quebec. It has generally been a federalist paper having endorsed the federalist vision in both the 1980 and 1995 referendums.
Music from Quebec is likely not that well known save for one major artist, Celine Dion. The majority of other major Quebecois singers are believed to be from other areas, perhaps Toronto. Or more often they are believed to be American (though, this may be believed about artists from all over Canada,) Celine Dion is hands down the most recognizable name in Quebec music, and this is likely because she sings in both official languages and has sold a record number of albums in both languages. Celine Dion is an overt part of Quebec culture, because she is instantly recognized as a Canadian musician, whether it is because she is well liked is another issue. But, there are other Quebec musicians that have become quite popular but do not have the same definite Quebec-ness as Celine Dion. Leonard Cohen was born and raised in Montreal, and yet many people do not see him as a Quebecer, but he is someone that the Quebecois would want to claim. He is an acclaimed singer-songwriter, as well as an authour. His music has reached all around the world, and his song Hallelujah has been covered over a dozen times by various artists.Arcade Fire is another band that is from Montreal but they have done something different for Quebec, they have put it on the radar, not just within Canada, but throughout the world. They paved the way for the Montreal Indie scene which seems to have taken over Canadian music in recent times. Though these three artists are significantly different they exemplify three different areas of the Quebec music scene, and contribute to Quebec culture
Mordichai Richler is a mid-20th century Quebec writer who is famous for his satire of contemporary society and his portrayal of the Jewish community in Montreal. He is famous for his books The Apprenticeship of Duddy Kravitz and Barney’s Version among other works. Both books are funny with their critiques as well as the general absurdity of everyday life sometimes. He was later critical of Quebec nationalism and separatism in the 70s.
Ringuet’s Thirty Acres is not only written by a Quebecois, but also discusses the intricacies of living in rural Quebec. Thirty Acres was written in 1937 and is the story of Euchariste Moisan’s life and family not only describes the life of a man, but what it was like for all the men just like him living off of the land in rural Quebec. Ringuet discusses the rural mans thoughts on the big cities like Montreal, the rest of Canada, and North America. And, it really gives insight into the rural culture of Quebec and how it helped to shape the culture of the province. It is especially important because there are many men just like Euchariste still living similar lives in rural Quebec. Also, it demonstrates the concerns that agriculturalists that are of French descent had because often, they were far different that those of the English, this is exemplified in the discussion of war in the novel.
Hugh MacLennan’s Two Solitudes (1945) also touches on some of the same issues that Thirty Acres does and expands on them. The book focuses on the separation between English and French Canada and demonstrates that it is hard to be a part of both factions. Like in Thirty Acres conscription is a divisive issue among the two groups, these are examples of issues that are impossible for the two groups to agree on. This is something that speaks to a larger issue of Quebec and Canada being a culture of negatives. Instead of Quebec and Canada being unified they are instead divided by negative issues, Quebec is not really a part of Canada because the rest of the country is not French speaking, or not inclusive, or Quebec does not believe in the First World War. Much like Canada prides itself as being a certain way simply because it is not like Americans.
Quebec also has a rich tradition of newspapers in its history. The Gazette is an English-language paper published daily out of Montreal but with circulation outside of the province as well. Le Devoir is famous as it was founded as a French-language newspaper by Henri Bourassa in 1910. Having resigned from the Liberal party in opposition to Sir Wilrid Laurier’s decision to construct a Canadian navy, Bourassa created the paper. Le Devoir went on to be a leading critic of the government during the war (especially with conscription) and a proponent of Quebec nationalism. La Presse is another French-language paper out of Montreal and circulated in Quebec. It has generally been a federalist paper having endorsed the federalist vision in both the 1980 and 1995 referendums.
Monday, October 22, 2007
Symbols And Ethnicity
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